
Co-presented by Los Angeles Filmforum*
While most visitors to a zoo are assumed to leave with a greater understanding of the animals housed within, such spaces can reveal just as much about the humans who design and manage them. With Collective Monologue, Jessica Sarah Rinland, who was previously featured at Acropolis with Those That, at a Distance, Resemble Another (2019), pursues her ongoing concerns with the relationship between humans and the natural world—particularly as mediated by institutions. At the film’s core are the animals and staff in various Argentinian zoos and shelters—including the Buenos Aires Ecopark, established as a zoo in the late 19th century—capturing not just tender moments of interspecies interaction but also administrative and infrastructural details. Zookeeper Maca provides around-the-clock dedication to the animals enclosed in one of these increasingly polemical spaces, a job she has held for over 20 years, while forming meaningful bonds transcendent of language and the imagined boundaries between humans and animals.
Beyond its fascinating portrayal of interspecies care, Collective Monologue features remarkable 16mm footage of the resident creatures—and some amazing surveillance camera glimpses of nocturnal anteaters—as well as archival detours, which reveal a parallel inquiry into questions of labour, gender, and colonial conquest over the natural world. With a form that is intricate and precise, while pleasingly fragmented and open in construction, Rinland’s hypnotic approach invites questions about how we not only look at animals, but also share the world with them. (Andréa Picard, TIFF)
TRT: 104 min
In person: Jessica Sarah Rinland
*Filmforum members can reserve free tickets here.
"An unclassifiable, breathtakingly beautiful work that challenges us to reconsider our place in the world.” —Muriel Del Don, Cineuropa
"An enigmatic zoological essay... Collective Monologue evocatively flips the act of looking and the role of care back on the humans." —Pat Mullen, POV Magazine
"The nature of the film is liberatory, and its sight is set on a more equitable world for both the laborers and occupants of these institutions." —Joshua Peinado, InReviewOnline
"A patient and expansive work, organically weaving commentary on labor with rich observations about the dynamics between animals and carers." —Cici Peng and Nicolas Pedrero-Setzer, Variety
"Moving across multiple sites in Argentina, [Rinland] creates a general portrait of a maligned institution in a moment of transformation, as zoos adopt mandates of rehabilitation and preservation that remake their mission for an age of ecocide. What happens to the spectacle of exoticism in which they once trafficked and, in many ways, still do? Such is the concern of Collective Monologue." —Erika Balsom, Harvard Film Archive
(Available to download after screening date)