Bringing experimental, international, and undistributed films to Los Angeles
The Novelist's Film (Hong Sangsoo, 2022)
Date: November 7 & 8, 2022
Location: 2220 Arts + Archives
Address: 2220 Beverly Blvd, Los Angeles, CA 90057
Los Angeles premiere! Special two-night engagement!
Junhee (Lee Hyeyoung, last seen in Hong’s In Front of Your Face) is a novelist who's grown disenchanted with her own writing. On a trip to see an old friend, she runs into a film director who was set to adapt one of her novels before the project fell through. One chance encounter leads to another and soon she finds herself having lunch with Kilsoo (Kim Minhee), a well-known actress also questioning her role as an artist. It’s then that Junhee has an epiphany: she will make a film starring Kilsoo. It won’t be like other films. It will be the novelist’s film. For his 27th feature, Hong holds a mirror up to his own artistic process and asks what exactly it is we’re looking for from a work of art. As his characters discuss their lives and work and the ways they intertwine, Hong sets down a sort of manifesto for his own inimitable oeuvre before exploding it (or perhaps fully realizing it) in a moving final flourish. With sparkling performances from Lee, Kim and an incredible cast of Hong regulars, The Novelist’s Film is a summation of Hong’s career-long artistic project, even as it signals bold new directions.
A springy treat... every one of [Hong's] films feels dipped in newness and a breezy spontaneity that feels like a gulp of fresh air
Jessica Kiang, Sight & Sound
Wondrous... proves that Hong has yet to exhaust his methods of deriving significance and beauty from the most quotidian of details.
Jake Cole, Slant Magazine
[Hong's] most eloquent and fully realized film in many years... [a] sophisticated, deeply personal meditation on lives shaped by artistic endeavors.
Eren Odabaşı, International Cinephile Society
One of [Hong's] sweetest films, registering ultimately as a touchingly sincere tribute to his life in filmmaking, and to love discovered through art-making.
Matt Turner, Little White Lies
[A] focused, charming autofiction, well-structured yet open to the inspirations of serendipity... Hong has always given viewers the impression that he—or, rather, he and Kim—are making exactly the film they want to make, but rarely before The Novelist’s Film has it seemed to bring the two of them such pure bliss.
Mark Asch, The Playlist