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The Plagiarists

July 11, 2026

The Plagiarists

(Dir. Peter Parlow, 2019)

Director in person!

DOORS 

12:30pm

SCREENING

1:00pm

LOCATION

2220 Arts + Archives
2220 Beverly Blvd
Los Angeles, CA 90057

Yanai Initiative logo_edited.jpg
Yanai Initiative logo_edited.jpg

Acropolis welcomes James N. Kienitz Wilkins for three screenings of the director's new feature The Misconcieved—once on 35mm, on July 9 at Brain Dead Studios, and twice digitally, on July 10 and 11 at Now Instant Image Hall—as well as a special matinee of The Plagiarists on July 11 at 2220 Arts + Archives.


About the film:

Co-written by experimental filmmakers James N. Kienitz Wilkins and Robin Schavoir, The Plagiarists is at once a hilarious send-up of low-budget American indie filmmaking and a probing inquiry into race, relationships, and the social uncanny. A young novelist (Lucy Kaminsky) and her cinematographer boyfriend (Eamon Monaghan) are waylaid by a snowstorm on their way to visit a friend in upstate New York and are taken in by the kindly yet enigmatic Clip (Michael “Clip” Payne of Parliament Funkadelic), who puts them up for the night. But an accidental discovery months later recasts in an unnerving light what had seemed like an agreeable evening, stoking resentments both latent and not-so-latent. Exhilaratingly intelligent and distinctively shot on a vintage TV-news camera, The Plagiarists is a work whose provocations are inseparable from its pleasures.


TRT: 76 min

In person: Peter Parlow


"Upends indie tropes... Genuinely engrossing writing and acting." —Carson Lund, Slant Magazine


"Biting and destabilizing... Never cedes the prickly concepts that undermine its drama." —Daniel Kasman, MUBI Notebook


"A social and philosophical investigation disguised as a gleefully barbed satire... deserves to be the summer’s art house conversation starter." —Glenn Kenny, The New York Times


"An elusive, alluring, sometimes maddening thing-and not so much a narrative film in conventional terms. Rather, it's a curious micro-budget provocation that offers plenty to chew over." —Jonathan Romney, Film Comment


"A conceptually baroque homage to the very films and filmmakers it is taking the piss out of... the provocations of [the] script and Wilkins’  uncanny editing structure are inextricably bound up in its pleasures." —Dan Sullivan, Cinema Scope


(Available to download after screening date)

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